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[Willow] should have taken time out for a few minutes to slowly torture Xander for sounding like a Hallmark card on crack. - My fiance's review of the 'yellow crayon' speech.
[Willow] should have taken time out for a few minutes to slowly torture Xander for sounding like a Hallmark card on crack. - My fiance's review of the 'yellow crayon' speech.
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“You know, if you weren’t such a bitch-queen from hell you and I would’ve gotten along just fine...” – Me making with the friendly at Glory, in a dream where I was Buffy and she was crucifying me.
"Visions dance throughout the night in the pale moon light in the witching hour" (Symphony X)
"One life, One love, One happiness...."
"I am you know" "What?" "Yours.."
"Visions dance throughout the night in the pale moon light in the witching hour" (Symphony X)
"There's no such thing as bad weather, only inadequate clothing." - Ted Hughes. when asked what possessed him to holiday in West Scotland.
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Monkeys are wildly overrated. Ahem.
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Tara and Willow
Accept NO subsitutes
Willow...It's Glenda in a bubble power, not Margaret Hamilton on a bicycle power
"Excuse me, does my bum look big in this? " Arabella Weir
That's really too bad, I so enjoyed that book. Was the movie any good?Quote:
I watched Gaudi Afternoon, Lesbian fun content -2
Autumn
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Buffy Season 6: It grated, like something forced in where it doesn't belong.
"Visions dance throughout the night in the pale moon light in the witching hour" (Symphony X)
Quote:
Mark Lawson
Monday September 30, 2002
The Guardian
The scriptwriter Andrew Davies has made his reputation in the genre of costume drama - Pride and Prejudice, Middlemarch etc - but his distinction has been an eagerness to get those costumes off. Previously, he was generally inserting sexual or naked moments from which Miss Austen and others had been restrained by the mores of the time.
Now, though, Davies has come to a modern Victorian novel. Published in 1999, Sarah Waters' Tipping the Velvet (October 8, 9pm, BBC2) is very post-Dickens in period but extremely post-Chatterley in content. Davies has joked it's the first time he has had to tone the sex down. A different kind of source for Davies; and also a different kind of sauce.
Waters' books are classified by Amazon.com as "lesbian Victoriana", a definition she accepts and enjoys. However, comments by Davies suggesting a certain relish in dramatising girl-on-girl action have offended some gay commentators. A series such as Babyfather was made to expand the racial range of TV drama and appeal to a largely ignored black audience.
After the scriptwriter's remarks - and snatched stills from the series splashed in the News of the World - the risk with Tipping the Velvet was that it would be a lesbian drama for heterosexual men. The drama begins, in a very Victorian way, with hints and parallels. Specifically, oysters stand in for the vagina. Nan (Rachael Stirling) is an "oyster girl" in Kent, opening the salty triangles to expose the shiny nub within. Visiting the music hall, she's drawn to Kitty (Keeley Hawes), an artiste who dresses as a man. When Nan's suddenly shiny eyes keep wanting to see more of Kitty, her family archly ask if she realises it's not really a fella.
During a day at the beach, Nan shows Kitty how to open and slurp an oyster. Ultimately, they become a double-act both on and off stage, posing as brothers for the music-hall boards and as room-mates for 19th-century society. Halfway through, the oyster imagery is dropped for bedroom scenes. The erotic content is unexceptionable by television drama standards: the only novelty is that there are two pairs of breasts for the camera to slaver over.
Paradoxically, given the fuss about it, lesbian sex is easier for television to show because the last great visual taboo - an erect penis - is never going to arise, though the News of the World promises a leather dildo in a subsequent episode. In part one, the naughtiest scene is the camel-hump between the legs of one lover caused by the other crouching beneath the bedcovers, but the heterosexual equivalent of this has become a regular post-watershed event. In fact, the problem with the adaptation is not that the sex is lascivious but that the psychological narrative is too explicit. Davies and his director Geoffrey Sax employ long stretches of voiceover by Nan. This stand-by of literary adaptation is understandable because the authorial voice is what disappears when writing is brought to the screen. The drawback of the device is that it forgets the balancing rule that actors are what books don't have.
On too many occasions, Rachael Stirling has been asked to record on the soundtrack confessions - "But I didn't want to be her sister!", "I did mind - but what could I do?" - which she has already communicated with her face. It's good to remember that the story is from a book, but it's equally important to recall that there are actors on your payroll.
[Willow] should have taken time out for a few minutes to slowly torture Xander for sounding like a Hallmark card on crack. - My fiance's review of the 'yellow crayon' speech.
"Visions dance throughout the night in the pale moon light in the witching hour" (Symphony X)
~ Han ~
Ravenshill ~ an original web series, a group of teen witches fight evil in an English town.
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Tara and Willow
Accept NO subsitutes
Quote:
And for some reason Lily Taylor was getting on my nerves and that's unusual
Quote:
And for some reason Lily Taylor was getting on my nerves and that's unusual.
"Visions dance throughout the night in the pale moon light in the witching hour" (Symphony X)
Quote:
... And I saw this really weird vampire movie once, on the small tv of our hotelroom, when we were away on holidays. Don't know the name, but I'd sure want to find out: filmed in black and white.
[Willow] should have taken time out for a few minutes to slowly torture Xander for sounding like a Hallmark card on crack. - My fiance's review of the 'yellow crayon' speech.
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Tara and Willow
Accept NO subsitutes
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