Skip to content


The Lesbian Cliche FAQ

The place for kittens to discuss GLBT (gay, lesbian, bisexual, transgendered) issues as well as topics that don't fit in the other forums. (Some topics are off-topic in every forum on the board. Please read the FAQs.)

The Dead Evil Lesbian Cliche lives!

Postby babyblue » Thu Feb 05, 2004 11:32 am

Delurking here to note that Law and Order has mined the Dead Evil Lesbian Cliche. On last night's episode, we were treated to a plot in which one lesbian was dead AND evil (she wasn't allowing her ex-lover to see their child) and the other was simply evil (she was the killer). Apparently, we're supposed to think that L&O were sympathetic to the plight of lesbian mothers who don't have legal ties to their children, because the assistant district attorney's opined that same-sex couples should be allowed to marry...



Sigh.

babyblue
 


Re: The Dead Evil Lesbian Cliche lives!

Postby Warduke » Thu Feb 05, 2004 3:27 pm

Yeah I watched that too. It was the first time I've watched L&O and it'll be the last time.


Firebird: One Browser To Rule Them All.

Warduke
 


Re: The Dead Evil Lesbian Cliche lives!

Postby xita » Thu Feb 05, 2004 8:50 pm

I insist that the problem with that show (all the law and orders) is balance. Sure it's about crime, and gay and lesbian people do commit crime, BUT, where are the good gay people. One of their own needs to be gay. Come on Casey make it official!

- - - - - - - - - - -
"Hard work often pays off after time but laziness always pays off now!"


xita
 


Re: The Dead Evil Lesbian Cliche lives!

Postby Sister Bertrille » Sat Feb 21, 2004 6:47 pm

Well, little ones, looks as if the cliche is about to rear its ugly head on one of prime time's longest running shows. Stop reading if you don't want to be spoiled or have a weak stomach...



GAG

GAG

GAG

GAG



Rumor has it that ER's Sandy Lopez is about to be killed off in a sweeps fire (intone it with me, "Tonight, one of their own will pay the ultimate price..."), paving the way for a custody battle between Kerry and Sandy's mother for little Henry. Dead lesbian firefighter Sandy will be joining dead gay firefighter Raul (Shep's partner), who died a horribly crispy death in Season 2. "Mamas, don't let your babies grow up to be gay Chicago firefighters..."



And a big fuck you to ER for killing off both its gay firefighters, for short shrifting Kerry in the love department compared to the other characters (I like Lisa Vidal, but why hire an essentially unavailable actress to play Kerry's lover? Oh wait...), and for just pissing me off with yet another unwanted example of the lesbian cliche. Guys, it's getting REALLY OLD!



This nun says "Feh!"



SB



Sister Bertrille
 


Re: The Dead Evil Lesbian Cliche lives!

Postby urnofosiris » Sun Feb 22, 2004 4:56 am

Ah yeah, that spoiler was also posted in the ER thread. Wish I could say I was surprised. AMC is also doing it´s very best to turn what was groundbreaking into nailpulling, actually I think they already succeeded.

urnofosiris
 


Re: The Dead Evil Lesbian Cliche lives!

Postby sam7777 » Mon Feb 23, 2004 1:09 pm

Yep that is the typical reward the gay audience gets for following these shows to support their having a gay/lesbian character. Of course the L&O and ER will tell you that they are being treated just like everyone else as ME did for Tara. The gay rags will tell you to be happy that prominent shows like L&O and ER have gay characters increasing "visibility". No one cares that gay and lesbian fans have had their hopes of seeing someone like them on screen crushed time and time again. The dead lesbian cliche will be repeated over and over and over again. We complained about the dead lesbian cliche in the death of Tara but we and other gay and gay friendly fans don't have a voice outside the letter's pages. The gay rags have 1000 times the voice of the fan boards. If they don't see a cliche, then there isn't one as far as the media is concerned. We get to see the gay TV that they promote with lots and lots of dead lesbians.



Truth is that ER was running several other lesbisn cliches like the baby thing before moving on to the dead lesbian one. I have learned to fold my cards when a show starts with the cliche. I stopped watching Buffy after SR and skipped ER after reading about it here and seeing where it was going. I'm not into hospital show and would only have watched to see gay characters. L&O with no gay characters in the main cast guarantees that any gay characters will be victims or criminals. I liked the first few seasons but am now giving that a miss as well. Even a lesbian show like "L Word" has the usual cliches: baby check, bed death check, back to the boys check, yawn check. I'm holding off for something that make you feel good about being a lesbian. That would be pioneering and groundbreaking IMHO.

_____________________

I see dead lesbian cliches

Edited by: sam7777  at: 2/23/04 12:20 pm
sam7777
 


The L Word

Postby amazonchyck » Mon Feb 23, 2004 2:54 pm

I'm going to have to respectfully disagree about "The 'L' Word." Yes, when I saw the first episode, I saw cliches everywhere. But, as the show has continued, many of those cliches have been mined for their underlying truth. Most cliches have some origin of truth (the dead lesbian cliche is a bit unusual in that way - it's origin is not in actual truth) and I dare say there are no more stereotypes in "The 'L' Word" than there are in any heterosexual series (lesbian bed death = marital bed death; the baby drive = the baby drive; the closeted lesbian = the super shy pal). Furthermore, I think some of the issues in that show are pretty groundbreaking - like the interracial couple/baby theme (which Jennifer Beals asked specifically to be put into the show) and the bisexuality theme (finally, a show that demonstrates that bisexuals get crap from both heterosexuals and gay people!).



At some point, almost every TV show or film is a cliche (Queer Eye for the Straight Guy - the cliche that gay men dress fabulously; Buffy the Vampire Slayer - the cliche that blonde girls get hacked to pieces in movies; The OC - the same rich/poor cliches that made Beverly Hills 90210 work). It's not necessarily that heterosexuals get BETTER programming, they just get a much WIDER variety of it.



But, the options on TV for gays and lesbians have gotten EXCEEDINGLY better just in my short duration of time on this earth. And part of it is because shows like Buffy, Xena, and now the L Word have demonstrated that you can have main characters who are gay (or in the case of Xena, are wink, wink, nudge, nudge gay) and still make money. Because, when it comes to mainstream TV and movies, the bottom line is the bottom line - gay characters won't exist if people can't make money on 'em. I think it's fabulous that the L Word was the fastest renewed program in the history of Showtime - it was renewed after two episodes because it brought A LOT of viewers to Showtime on Sunday nights.



Independent films are also demonstrating that three-dimensional portrayals of gays/lesbians/bisexuals can make money. "Monster" cost $5 million to make and has made over $20 million (yes, I know it's about a serial killer, but the love story was portrayed beautifully and hardly falls into the dead lesbian cliche). "Kissing Jessica Stein" made money. "Boys Don't Cry" made money. And you know, after the recent San Francisco and Massachusetts going-ons, there's going to be more grist for the mill.



I applaud fan efforts to share their concerns about the dead lesbian cliche with Mr. Whedon and the creators of Law and Order and ER (neither of the last two I watch on any regular basis). The makers of pop culture should be aware of some of the interpretations of their material. But regardless of the damage that Mr. Whedon did to the W/T story (and to himself, based on the ratings for Season 7 and the recent cancellation of Angel), he helped to create something momentous (however inadvertent that might have been - he let it continue, so he gets some credit) on TV - a main star who was gay and who had a long-term relationship that was featured on the show that didn't lose fan base (and perhaps gained some).



I also hope that many of you who read this board are as active in politics as you are about pop culture! Because I am VASTLY more offended by political efforts to pass a federal amendment stating that marriage is only between a man or a woman than I am by ER killing off a lesbian firefighter. Politics and pop culture interract, so while you're sending the creators of ER a note telling them that their storyline is offensive, please also take the time to send a letter to your Congressional representative about how much recent political events piss you off too :)



:letter



amazonchyck

me@amazonchyck.com

www.amazonchyck.com/blog/

amazonchyck
 


Re: The L Word

Postby urnofosiris » Mon Feb 23, 2004 3:16 pm

Quote:
I also hope that many of you who read this board are as active in politics as you are about pop culture! Because I am VASTLY more offended by political efforts to pass a federal amendment stating that marriage is only between a man or a woman than I am by ER killing off a lesbian firefighter. Politics and pop culture interract, so while you're sending the creators of ER a note telling them that their storyline is offensive, please also take the time to send a letter to your Congressional representative about how much recent political events piss you off too




Well I am not from the US so all I get to do is rant here, heh, but I agree they interact, and for politics to change the disinterested or prejudiced majority has to change it´s views as well, as long as most letters are anti gay not a lot will change. Schwarzenegger would not be nearly as keen to smack down on same sex marriage if that might cost him the next election instead of securing it. He will whore himself to popular opinion and right now that opinion seems to be against gay marriage. So far for him wanting to be a governor for all people. Asshole. Anyway, TV/movies play a role in informing and/or misinforming it´s audience. Why would the non gay majority chance it´s mind if all they see are miserable, evil or dead gay people, if all they see is what they think they know already, that no good can come of being gay.



I can´t say that I am all that impressed by the minute progress that the fictional LGBT characters are making. Whenever something good seems to happen, it ends badly. It is still way too rarely otherwise. There are positive exceptions, but most of those are not mainstream movies or TV shows. I hope the L word will become better than it is now, but it too has a relatively small audience, if I read the numbers correctly. It´s not enough, one show is not enough. What ER is doing is more harmful than not. It´s high time for some of that variety that straight characters get.

Edited by: DrG at: 2/23/04 2:18 pm
urnofosiris
 


Re: The Dead Evil Lesbian Cliche lives!

Postby sam7777 » Mon Feb 23, 2004 8:27 pm

This site is a Willow/Tara site so it's not surprising that folks here focus on TV portrayals of gays especially after the way Willow/Tara was destroyed. Joss Whedon lied to people promising them that Tara was the heart of the show and not going anywhere and then betrayed the fan's trust. Joss Whedon gave us a story needlessly ending in the dead lesbian cliche. This is the way all long term lesbian relationships have ended on TV (first Buffy now ER) and most movies. I see nothing groundbreaking or momentous in that. I see gay portrayals devolving after W/T. Instead of two women in love we get two girls having sex for the boys like the hot tub girls in "Fastlane". Lesbian portrayals are stuck into a few plotlines: bed death, baby, male titillation. The baby plot and marital bed death are in hetero shows but not in the same proportion as in lesbian shows. The shy friend plot does not compare to a closeted person. Closetted people face ostracism from their own family and job loss when they come out. Shy people don't. Coming out is a uniquely gay story.



I have said this before but for folks who haven't been able to read through this thread, I don't see us winning the marriage battle until we win the PR battle. Most people have never met a gay or lesbian in person and get many of their ideas conscious and unconscious from the media. Without better gay portrayals, it will be harder to get overall public support for gay marriage. We need to be able to see more long term lesbian (and gay) relationships on TV and in movies that don't end in death or tragedy. Not as the only PC portrayal but to present a balanced view of gay life. If people think all gay relationships are fleeting and/or sad and tragic, they are less likely to see them as "real" relationships. If they aren't "real", why should they be allowed to marry or adopt. Hetero movies and TV have many examples of stable relationships to balance the sad, traci and fleeting ones.



Not all lesbians are serial killers (however well acted or beautifully the love story is portrayed) ala "Monsters" or murder victims (also well acted and presented) also "Boys Don't Cry". "Kissing Jessica Stein" is about sexual exploration and is not really a lesbian film. Most long term lesbian relationships do not end in death or tragedy ala Buffy and ER. What these movies and TV shows tell people is that women experiment and then go back to boy's town or die if they are serious about loving women. Where are the movies that show lesbians with a happy ending? If there were enough of these there would be no cliche. Dekalog said it best in the "Lost and Delirous" thread. We have to stop settling for less not only in GLBT portrayals but in everything. Rather than subtext or inferior portrayals we should complain and push for better portrayals. "L Word" should not get a free pass. If people find fault with it, they should say so. The show has been renewed for another season and can get better. Why should we settle for less?



The gay magazines want to tell us what to think. They have a vested interest in supporting the media because they are the media. They want interviews and possible future jobs in the biz so don't want to criticize. They tell us gay and lesbians should be glad to see any portrayal however cliched. They imply we should be grateful for any crumbs the media gives us. They tell us how much better it is now. How is it better today when the same cliches continue? We see the same dead lesbians. Only the excuses have changed. Now "we are being treated like everyone else" instead of "being punished for our sin". Still we get the same dead lesbian on the screen. Where is the progress? I don't believe it will get better unless we complain about what is cliched and poorly done.



For me in my longer time on earth, TV for gays and lesbians has not gotten exceedingly better. Like DrG, I am not all that impressed by the minute progress that the fictional LGBT characters are making.

_____________________

I see dead lesbian cliches

sam7777
 


Re: Re: The Dead Evil Lesbian Cliche lives!

Postby sam7777 » Mon Feb 23, 2004 8:45 pm

Quote:
given your postings, it appears obvious that you don't really want diverse portrayals of gays and lesbians on TV and film - you want to see what you want to see, which is gays and lesbians in long-term, healthy relationships. Now, I agree, that should be portrayed (and it has been, albeit infrequently).
amazonchyck: It's "obvious" to you but not what I am saying. I'm not saying that I want only a PC "Leave it to Beaver" portrayal as you put it. I want more variety. I focus on the happy and long term portrayals simply because as you say above they are infrequent. They also have a more direct relationship to the marriage question than other portrayals. I have written to complain about portrayals I don't like and will continue to do so. I vote in every election and only support candidates in favor of gay rights. We should demand better portrayals and not simply accept what ever they give us. Please don't get so defensive, I am only disagreeing with you opinion. My disagreement doesn't not invalidate your point of view nor does your disagreement invalidate mine. BTW my views are my own. I don't speak for the Kitten Board and my remarks should not be taken as held by all people on this board. Please don't take it so personally.



There will be real progress in my eyes in the media when there is no dead leabian cliche because for each dead lesbian on the screen there are nine happy ones. 90% of hetero relationships ion TV and in the movies do not end in death. Why can't lesbians have the same?

_____________________

I see dead lesbian cliches

Edited by: sam7777  at: 2/23/04 7:49 pm
sam7777
 


Re: The Dead Evil Lesbian Cliche lives!

Postby xita » Mon Feb 23, 2004 9:01 pm

Quote:
Here's what I define as progress. I went to go see the movie "Higher Learning" when I was in college and in that movie, there is a female-female kiss. Now, despite the fact that "Higher Learning" has many though-provoking issues in it - white supremacy, date rape, drug use - the crowd erupted only at the woman-on-woman kiss - saying things like "eww" and catcalls. This was in 1996 or 1997. Fast forward to when I went to see "Monster" a little over a month ago, which has frank scenes of two women kissing and making love. Not a peep from the audience. Not a word of derision or condemnation.




That's really not an appropriate comparison. You are talking about 2 different kinds of films attended by entirely different crowds. Teenagers were more likely to attend the former while an older crowd would attend the latter. I don't know where you went to see Monster but in Los Angeles, I distinctly heard several people complaining about the film, specifically about the lesbian situations. I don't think your one personal experience can be taken to speak for the state of gays and lesbians in society.



It's also very naive to say that gays and lesbians are killed more because they are on the periphery of the shows. The immediate question that comes to mind is why? Why are they on the periphery? 10% of the population? SO I want 10% of the mainstay characters to be gay?



I wish I had the capital to finance a project, I wish I did because I so would. I also know a few people on this board are trying to do that very thing either as writers or as filmmakers. You can't ignore something we have discussed elsewhere, though, I don't expect you to actually read all of the board. You can't ignore that financing, distribution etc. is contigent on what stories Hollywood wants to tell. Like it or not, Hollywood isn't interested in telling a happy gay story. They prefer the tragedy.



And you may get tired of the way the board complains about the nature of gays and lesbians in the media, that's fine. I will give you a little piece of your own advice:



Quote:


you don't like something - don't watch it






Or as the case may be. Don't read it.

- - - - - - - - - - -
"Hard work often pays off after time but laziness always pays off now!"


Edited by: xita  at: 2/23/04 8:03 pm
xita
 


Re: The Dead Evil Lesbian Cliche lives!

Postby amazonchyck » Mon Feb 23, 2004 9:21 pm

I realize that I am on the losing end of an argument as far as this board is concerned, but be that as it may...given your postings sam7777, it appears obvious that you don't really want diverse portrayals of gays and lesbians on TV and film - you want to see what you want to see, which is gays and lesbians in long-term, healthy relationships. Now, I agree, that should be portrayed (and it has been, albeit infrequently). You also want those long-term, healthy relationships to have no bumps in the road (no lesbian bed death, baby-talk, or magic addiction issues please) and to last forever. That's simply not realistic, not for any couple, gay, straight, or otherwise. I have no problem with people advocating better portrayals of gays and lesbians in the media (I do think that people don't have any right to complain unless they vote - if they can - but that's a different matter). But true diversity means portrayals that you might not like either, sam7777.



For example, you dismiss "Kissing Jessica Stein" as a movie about sexual exploration, which is demeaning. I couldn't disagree more. I think it's about a woman finding herself and finding what she wants out of someone else regardless of sexuality and I think that's awesome. I love it because it flies in the face of every convention that lesbians have about how they should be portrayed (I can't even count how many times I've gotten looks, rude comments, and the like - from lesbians - about dating bisexuals.). And if one reads the backstory on Aileen Wuornos, you would realize that the director of "Monster" went quite a bit away from the truth to make the love story between Aileen and Selby a great deal more romantic and touching in the movie than it was in real life (and by the way, Aileen wasn't a lesbian in the traditional sense of the word, she had one relationship with a woman).



Here's what I define as progress. I went to go see the movie "Higher Learning" when I was in college and in that movie, there is a female-female kiss. Now, despite the fact that "Higher Learning" has many though-provoking issues in it - white supremacy, date rape, drug use - the crowd erupted only at the woman-on-woman kiss - saying things like "eww" and catcalls. This was in 1996 or 1997. Fast forward to when I went to see "Monster" a little over a month ago, which has frank scenes of two women kissing and making love. Not a peep from the audience. Not a word of derision or condemnation. Perhaps that's not enough progress to satisfy you, sam7777, but I see that as more acceptance now than just a few years ago and both the changing of the laws and the better portrayals in the media have helped.



It is true that MOST gay and lesbian characters are there on the periphery of shows, so that when its time for the writers and producers to kill someone or tease some drama out of the show, many gay and lesbian characters are at risk because they're not mainstays - those actors don't have binding contracts (aka it's much easier to kill a Tara than a Willow). (And I don't really believe that producers and writers stay up late at night thinking of ways to kill the gay people. Sure, maybe one or two does, but as a general rule, no.) So, on that point, I agree - in order to keep gay and lesbian characters around, they need to be the mainstays of the show. But Sam7777, that's a hard order to fill given that the popular wisdom is that gays and lesbians only comprise 10% of the population. Based on that notion, only 10% of the media should be geared towards us. I'm not arguing the validity of that figure, or saying that it's inaccurate, but that's the common wisdom and up and until a new study is done, that's how media producers are going to look at it financially - 10%. That's not a lot of leverage to have on an industry.



As for the gay magazines - I agree with you that they mostly suck, which is why I don't subscribe to any. But they can't tell you what to think - they present a viewpoint that's different than your own. Do they have a vested interest in media? Sure...but it's not as conspiracy theory as you think - mags like Entertainment Weekly (owned by AOL Time Warner) still bash movies, TV, and books they think sucks (yes, they're not likely to bash stars since they may want interviews down the road, but that's just good business). Magazines are based on advertising revenue and subscriptions (mostly the ad revenue), so if taking Hollywood to task actually sells more magazines, I don't see anything stopping them.



I don't say that people shouldn't find fault with the media - ask for better. But I do say that what this board asks for and what they want is unrealistic, and more to the point, is not the kind of lesbians portrayals I want to see. Yes, I want to see the lesbian version of Leave It To Beaver, but I also want to see the "Monster"s, the "High Art"s, the "Will and Tara"s(even with Seeing Red), the "Kissing Jessica Stein"s, the "Better Than Chocolate"s (aka fluff). All of it - that's diversity, not your simple view of the world and not the dead lesbian cliche. Do we have that now? No. Are we getting there? I think so and a hell of a lot faster than African-Americans or Latinos or Asian-Americans. Does that mean we should be satisfied with what we have? No. Perhaps I just have more patience in this regard then you, and perhaps it's because I grew up at a time when, for me, things have changed much more quickly. I can imagine for some people, this shift has happened much more long-term. I just don't see the point, or the progress, to be had in bashing a bunch of producers (including Joss) and writers for not portraying our lives. Did Joss lie? I wasn't there personally, but it appears he did, yes. Does that make him a not very nice person? Yep - lying, not good. Does that make him a hateful, lesbian-hating mongrel? No, it doesn't.



Every person on this board has a chance to make their decision heard - you don't like something - don't watch it or complain to the station that broadcasts it or write your own script. You want to change the world - you do it - stop waiting for a bunch of straight people to do it for you, becuase you're right - a straight person's experience is NOT the same as a gay person's (just like my expierence is not the same as a black person's). You want to fight the power? Step up to the plate.



amazonchyck

me@amazonchyck.com

www.amazonchyck.com/blog/

amazonchyck
 


Re: The Dead Evil Lesbian Cliche lives!

Postby amazonchyck » Mon Feb 23, 2004 10:27 pm

Quote:
You are talking about 2 different kinds of films attended by entirely different crowds. Teenagers were more likely to attend the former while an older crowd would attend the latter. I don't know where you went to see Monster but in Los Angeles, I distinctly heard several people complaining about the film, specifically about the lesbian situations. I don't think your one personal experience can be taken to speak for the state of gays and lesbians in society.




I saw it in Phoenix, AZ. The crowd was more diverse for "Monster," true, but there were teens and college-aged kids at both performances. And no, my personal experience doesn't speak for the state of gays and lesbians in all of sciety (for example, the situation for gays in Alabama is worse than in Arizona), it was simply to me a sign of progress.



Quote:
I wish I had the capital to finance a project, I wish I did because I so would. I also know a few people on this board are trying to do that very thing either as writers or as filmmakers. You can't ignore something we have discussed elsewhere, though, I don't expect you to actually read all of the board. You can't ignore that financing, distribution etc. is contigent on what stories Hollywood wants to tell. Like it or not, Hollywood isn't interested in telling a happy gay story. They prefer the tragedy.




That's great that other people on the board are trying to do that. Go for it. And yes, the financing, distribution is contingent on what stories Hollywood wants to tell, which is contingent on what stories Hollywood thinks it can sell. If it thought it could make mad money showcasing a happy lesbian love story, it would. It's not personal. Sex, tragedy, etc. sells. That may be a sad state of commentary on America, but it's what Hollywood thinks. If the L Word does well, then Hollywood may be more interested in financing something along those lines, so I hope it does well. I patronize movies like "Monster" and "Kissing Jessica Stein," to show studios that people are willing to shell out money for such fare. When it comes to movies, it's all about the benjamins and not about trying to purposefully slight gay characters. TV Shows are a bit different, in that they are not only about ratings, but also about the creators' vision versus the audience's vision. But Hollywood is a business first, and a social experiment second. If something makes money, they sell it. If it doesn't, they won't. Pure and simple and not personal.

amazonchyck
 


Re: The Dead Evil Lesbian Cliche lives!

Postby sam7777 » Mon Feb 23, 2004 11:15 pm

Since SR, I have decided not to patronize the movies or TV that have unhappy gay endings until the ratio of unhappy to sad stories changes. It may not change the world but it changes my world. I will be the first in line for a ticket to a gay romantic comedy. Amber is working on such a project and I agree with what she told Curve: (posted by LiquiDreams618 in the "Amber on cover of Curve magazine" thread)
Quote:
For instance, she signed on to her new film, Latter Days, not because she was offered a big part - she has a small if memorable role as a tough-talking waitress - but because she strongly believes gay and lesbian romances need a box-office boost. "I loved the script so much," she says in a phone interview from her Los Angeles home. "I was like, 'I'll do anything to be in it!" The movie, about a Los Angeles party boy who unexpectedly falls for a Mormon missionary, is the first produced by Funny Boy Films, which touts itself as the world's first gay and lesbian film studio. "You don't get many romantic comedies about two gay men or two women. There's a whole segment of the population that is not getting its needs addressed, and I felt this film was trying to address them. Plus," she adds, "it has a happy ending."



Participating in a project with a happy ending is a significant even for Benson, given the gruesome and controversial end her character met on Buffy last year. "When she was killed like that, it really fucked some shit up, "she says.
I'm willing to support projects like this in the hopes that Hollywood will get the idea that happy gay stories sell as well as the tragic ones. I believe that perhaps if fewer folks watch the tragic stuff, Hollywood may change their mind. Hollywood only funds whatever is popular until someone breaks the mold. Fantasy pics were out until Peter Jackson showed that "Lord of the Rings" could make money. It takes one person with the guts and vision to change what Hollywood will buy. Most people step back from the daring and pull back to the cliches as Joss and ER did. I fear that if movies and shows with the dead lesbian cliche do well, that's all Hollywood will pony up for production. That's why I won't support those films. If folks think that "L Word" is flawed, shouldn't they say so? Perhaps the writers will change things for the better. Perhaps not. The audience can only vote with their eyeballs if they don't care for the creator's vision.



I applaud both Dekalog and Iamyouknowyours for trying to buck the studio system and get their visions made. As Iamyouknowyours said in the "Lost and Delirous thread":
Quote:
Studios and other financial backers want to make money. That is why they go with what is already known to work.
I think we need to show them that romantic comedies work as well as tragic tales. Why not a gay "My Big Fat Greek Wedding". No one would have guessed an ethnic romantic comedy would work until someone dared to push the envelope and try one. I don't see a tragic tale as pushing the Envelope anymore.



Different approaches but hopefully still the same goal to get better gay portrayals in the media. We can have the tragic as long as we can also have the happy like straights do. Like Xita says, if we are 10% of the population, why can't we be 10% of the regular casts of shows. I agree. Why not? Don't we deserve happy stories and real representation on screen?





_____________________

I see dead lesbian cliches

Edited by: sam7777  at: 2/23/04 10:21 pm
sam7777
 


Re: The Dead Evil Lesbian Cliche lives!

Postby xita » Sat Feb 28, 2004 9:33 pm

I was listening to the commentary by Donna Deitch on the Desert Hearts DVD. Hollywood definitely wants to make sad movies about lesbians. She spoke about how she wanted to make a film about lesbians that don't commit suicide or part ways at the end of the film. This was her purpose, to create a love story between women that didn't end tragically. She then spoke of how she financed it. She sold shares, $15,000 dollar shares. She threw financing parties to encourage people to buy into her movie. It took her two years to come up with $1,000,000. If you see other cheaper lesbian movies, you can appreciate where the money went to in Desert Hearts. The soundtrack alone had to cost her some money. Anyway, she mentioned how she would never do that again. It was extremely difficult to raise the money and she still had to fundraise after finishing production to finish editing it. Audra Lindley, Mrs. Roper on "Three's Company," is in the movie and she so believed in the project she bought her own share of the movie and presented Donna with a $15,000 after the movie wrapped.



About half way through the movie Donna mentioned why she did not do the typical financing for the movie. She said she went to several of the traditional meetings and without fail all of them had a problem with the ending of her movie. They wanted it to be clear that at the end of the movie, the women did not end up together. For Donna, this was the whole point of making the movie so it became clear that if she wanted to make this movie, she would have to find the financing on her own.



I've been listening to the commentary on some lesbian movies and without fail, the financing is a big issue. The two recent ones I listened to, Claire of the Moon and Everything Relative (two movies that are generally happy ending movies) had to finance the movies with their own fundraising. Neither of course had a distribution deal. Those are generally less interesting movies than Desert Hearts, granted. I think it's clear that Hollywood does have a bias against making happy movies about gays and lesbians and will generally not fund them or help distribute them. I wish I could get Incredibly True Adventure of Two Girls in Love to hear about how that movie got made. I am about to listen to When Night is Falling, but it's hard to judge as this woman works outside of the Hollywood system in Canada.

- - - - - - - - - - -
"Hard work often pays off after time but laziness always pays off now!"


xita
 


Re: The Dead Evil Lesbian Cliche lives!

Postby xita » Sat Feb 28, 2004 10:59 pm

Hmm, it's funny, I do think I wrote that desert hearts was made 20 years ago, yep there it is, just checked.



Kissing Jessica Stein is not a lesbian movie, and chutney popcorn and better than chocolate are I am sure financed by the film maker and never were in wide release. I loved Being John Malkovich but I hardly would call that a lesbian movie either.



My point wasn't that there aren't movies with happy endings. My point was that lesbian feel good movies are by a large percentage self financed and not widely distributed.

- - - - - - - - - - -
"Hard work often pays off after time but laziness always pays off now!"


Edited by: xita  at: 2/28/04 10:03 pm
xita
 


Re: The Lesbian Cliche FAQ

Postby amazonchyck » Sat Feb 28, 2004 11:13 pm

*Shrugs* I guess it's all in what you look for. To me, something shouldn't have to be a lesbian movie or not a lesbian movie. I find Being John Malkovich and Kissing Jessica Stein refreshing simply because they do have happy lesbian stories within them (one of the couple in Kissing Jessica Stein winds up happy with a woman), but they are (a) well-written and (b) defy convention. To me, it means more that a mainstream movie has a lesbian relationship/character in it than it does that there are "feel good" lesbian movies out there. Course that could be because I think far too many lesbian movies are more like "Everything Relative" and less like "Being John Malkovich."



Regardless...I don't think that three movies made over a decade ago prove your point about self-financed gay movies, but yes, I would agree that many movie studios don't go looking for feel-good lesbian or gay movies. Hell, ain't too many feel-good movies period being made lately.

Edited by: amazonchyck  at: 2/28/04 11:15 pm
amazonchyck
 


Re: The Dead Evil Lesbian Cliche lives!

Postby xita » Sat Feb 28, 2004 11:20 pm

Quote:


Course that could be because I think far too many lesbian movies are more like "Everything Relative" and less like "Being John Malkovich."




Do you think that some of it has to do with the amount of money available to movie makers? I see the production value of Desert Hearts and see where the money comes in, soundtrack etc. She had a million dollars which is a ton more than the woman making Everything Relative 12 years later had. Money makes a difference and unfortunately lesbian film makers are not being given the chance to make movies. Donna Deitch said she never would go through that again and you know what? She didn't and what a damn shame that is. Where are all these women's second lesbian-themed films? NOWHERE! I am thinking of the directors of Everything Relative, The Incredibly True Adventure of Two Girls in Love, Desert Hearts, Claire of the Moon, Go Fish etc.



Quote:
Oh...and Fire got released in theaters in Tucson, Az, which is not at all one of the main release centers, so yeah, it got widespread release, at least in independent theaters.




I tell you what, Fire was widely distributed? I'd be willing to bet less than 25% of the people on this board have seen Fire. Can you imagine what that percentage is like in the general population?

- - - - - - - - - - -
"Hard work often pays off after time but laziness always pays off now!"


Edited by: xita  at: 2/28/04 11:34 pm
xita
 


Re: The Lesbian Cliche FAQ

Postby amazonchyck » Sat Feb 28, 2004 11:55 pm

Okay, but the movies of which you speak were all made in the late 1980s (Desert Hearts was 1985) or early 1990s (Claire of the Moon was 1992). Everything Relative was made in 1996, but it just flat out sucked.



Movies have come SOME way since then. See Bound, Being John Malkovich, Better Than Chocloate, Fire, Chutney Popcorn, Kissing Jessica Stein.

amazonchyck
 


Re: The Lesbian Cliche FAQ

Postby urnofosiris » Sun Feb 29, 2004 7:51 am

I´ve never heard of Fire. In fact, until I found this board, I had not heard about any of the positive examples just mentioned in the last few posts. There are a few positive movies alright, but you have to know where to look for them. They are not mainstream and those that are, are either non US films like Fucking Amal or Tipping the Velvet or they are of the Chasing Amy/Gigli variety. If things are so much better nowadays then why aren´t the people interested in making lesbian movies without miserable endings making these movies now?

All that aside, compared to the number of movies being made, the percentage of them with gay characters is pathetically low, and of that percentage how many gay characters are happy campers really. There may be some progress but it feels like it is moving as fast as evolution itself.

urnofosiris
 


Re: The Dead Evil Lesbian Cliche lives!

Postby sam7777 » Sun Feb 29, 2004 5:52 pm

Like DrG, I never heard of these movies before coming to this board. I personally am not satisfied with the "progress" movies have made. Movies coming SOME way is not enough for me, I want to come all the way (who doesn't :p ). As for getting such movies made today, at least two kittens (Dekalog and Iamyouknowyours) have run into the same problem RECENTLY as Donna Deitch in getting a lesbian movie with a happy ending made. The problem exists though it is not acknowledged by the Media, particularily the gay rags who like to talk about the progress rather than give constructive criticism. Unless we agitate for better representation we won't get it IMHO. I certainly will not be silent and will continue to write and praise what is good and condemn what is bad (to borrow a quote from Madeleine). I am also skipping the Hollywood approved unhappy endings till the ratio between happy and unhappy films is addressed. They are not making my money with the dead lesbian cliche. Been there and done that way too often. I think that more movies with actual happy endings for lesbians and gays that have enough distribtuion to be seen would help the public (subconsciously at least) be more willing to accept gay marriage. I fear the continual parade of miserable GLBT characters feeds into the same latent homophobia that has led most people in the US to oppose gay marriage. The Pew Research Center's latest poll (Feb 27) shows people opposed 2 to 1 to gay marriage:
Quote:
The latest Pew Research Center national survey shows that voters oppose gay marriage by more than two-to-one (65%-28%), a margin that has remained generally steady since October. (This survey was conducted Feb. 11-16, prior to President Bush's Feb. 24 announcement that he would support a constitutional amendment to ban gay marriage).
We can no longer sit, wait and hope for progress. We must go out there and make progress happen or lose even the minor progress that has been made IMHO. I've written my congressman and senators using the excellent resource in the Mobilize! Stop Anti-Gay Amendment! thread and I urge everyone who feels the same way to do the same. I think we must win the PR war and get good representations of GLBTs (happy as well as just the tragic) in the media to help in this fight. Passive acceptance of what we can get isn't enough IMHO. Not anymore. That landscape changed last week IMHO.

_____________________

I still see dead lesbian cliches

Edited by: sam7777  at: 2/29/04 5:10 pm
sam7777
 


Fun Film Facts

Postby dekalog » Mon Mar 01, 2004 7:30 am

:flirt



I'm a bad kitty for not checking up on this thread sooner.



xita here's a response to some of your financing questions:



Any film Patrica Roxema makes will be financed through Telefilm here in Canada. She has a free pass, along with Atom Egoyan, Bruce McDonald and a very few others who came into their own as filmmakers at a time when the Canadian government was trying to create a film culture here in Canada. Unfortunately that time is passed - the government feels that having the Toronto Film Festival is enough culture for one country :sigh



So, in short When Night is Falling was financed through Government tax credits, and Telefilm Canada (government as well).



Better than Chocolate was also financed by Telefilm, but not because of the script or anything to do with the content of the film. It was financed because of the reputation of director Anne Wheeler - who is a big name in Canada as a director, and she is friends with Peggy Thompson who wrote the script.



Fire was almost solely financed by a bigtime Canadian business man who backed Deepa Mehta the director, and her vision for this particular series of Indian based films. She is huge here in Canada as well, and Fire is part of a series of film's that she made to speak to issues she felt needed to be addressed in Indian culture .



Getting a lesbian film made is extremely difficult - not just in funding (although this is the biggest obstacle), but also because of the perceptions which accompany this type of film as well. This is true not only as a lesbian putting a project together, but as a woman, and for any other 'minority' filmmaker.



For an example - I could tell you that I have gotten funding for some pretty wild and crazy art concept ideas, and some very unconventional documentaries. Getting funding for a small budgeted independent film that has a romantic lesbian theme is proving impossible to get funding for - unless I want to try to sell my script (and rights) to someone known who might be able to do it. It was even suggested to me at one point that I change one of the characters to a male, and if I did that this person would fund it. Now I am looking at - thanks for this xita - doing a DD - and canvassing bars etc.. for individual funders.



For myself I am tired of the narrow range of film that is being put out. Not just in terms of lesbian cliche's etc..., but the sameness factor of mainstream films. As with music, I find independent films much more interesting, involving, daring, and innovative than mainstream stuff. I just wish it could cost as much to make an independently produced film as it does an album. Then maybe we could have a nice big cultural revolution - but that is just my bias.



'cause for me I can name off all kinds of films that had lesbian portrayals that made me cringe, but I know of only a few that left me with a good feeling.

dekalog
 


Re: The Dead Evil Lesbian Cliche lives!

Postby Gatito Grande » Thu Apr 15, 2004 10:17 pm

Anybody see this?



Quote:
Deadly Dilemma Of Lesbians In Entertainment

by L. A. Vess



Getting a lesbian relationship onto non-cable TV these days may be easier than it used to be, but it can still be a hard road. Managing to get one lesbian character on a show isn't so bad - even daytime soaps are doing it nowadays. However, actually getting two lesbians together as a couple on a series still takes a lot of dancing around censors, network big wigs and public opinion.



Back when Willow (Alyson Hannigan) on "Buffy The Vampire Slayer" was first revealed as a lesbian, queer audiences cheered. But we still wondered, would Willow ever actually find a real relationship with a woman? And if she did, would it be realistic - and actually involve some sort of physical intimacy? These things, after all, were still a bit taboo for primetime TV. Bucking TV tradition, Willow did get into an LTR with Tara (Amber Benson), her fellow witch. Happily, viewers also got a decent dose of lesbian physicality - with some nice intimate moments of girl-on-girl kissing, making out and even a musical love-making scene that left little to the imagination.



Willow & Tara didn't get as much screen time as some of us may have wished, but after all, the show was called "Buffy The Vampire Slayer" - not "Willow & Tara The Lesbian Witches." Their relationship did evolve, it was relatively realistic for a fantasy-type show, and it even contained the requisite fighting and breakup drama lesbians are often known for. All in all, dyke fans of the show applauded writer/producer Joss Whedon for doing pretty good justice to the trials and tribulations of lesbian love.



And then the inevitable happened.



Right when Willow & Tara finally got over their issues and made up - Joss Whedon pulled a plot twist right out of cliché-land. He killed off Tara - violently. He had her murdered - and then had her lover, Willow, go quite insane over it. Willow became the evil lesbian psycho out to destroy the entire world. Sure, rumor has it that Amber Benson was having issues and would probably leave the show regardless, but another way could have been found to shuffle her off - without another "doomed to die" lesbian stereotype being used. Lesbian fans were outraged, and rightly so.




It seems that throughout the history of film and television, lesbian characters (and lesbian lovers especially) are always doomed. If you've ever watched The Celluloid Closet, you have an idea what I mean. Lesbians always seem to end up either as villains or violently dead (often by suicide or murder) - or insane. More than likely, all of three if possible. You can trace this disturbing plot mechanism all the way back to early films like The Children's Hour and The Fox, onto later films like The Hunger and Heavenly Creatures, and even into modern films like Boys on the Side, High Art and Monster. Yes, some of these were based on real life stories, but why the hell are mainstream films with lesbian characters almost always based on the sinister, sad and horrible instead of the beautiful and wonderful?



Television is no better - can you name two shows that have contained featured lesbian characters in successful, happy long term relationships - where neither half of the couple ended up dead, insane or a villain? And please don't say Ross's old girlfriend in "Friends" - I mean characters that aren't just sidebars. And "Xena" doesn't count either - remember, they KILLED Xena off, right when it was becoming pretty much established that her and Gabrielle were, indeed, queer as football bats.



There seems to be some sort of conspiracy or repressed directive that says that lesbians must always be portrayed as psychologically unstable in entertainment. And if they aren't tortured in some way, then they must be punished by being driven insane, killed off, or having some other horrible thing happen to them. Even dyke writers, directors & producers often can't seem to keep themselves from doing this to their characters.



You'd think we'd have progressed beyond this outdated and disgusting portrayal of lesbians on film & TV as evil or doomed. In some ways, it appears so - we have "The L Word" after all, don't we? But wait - do you really see any happy, long-term, fabulously wonderful relationships on this show? Created by lesbians and being all about lesbians, you would think there would at least be ONE happy couple on the show. Nope. We had hope at first with Bette & Tina - the lovely lesbian couple with a baby in the works. Now, however, they seem miserable, they have no sex life - and one of them is already cheating. Not one woman on the show is involved in a happy, emotionally stable, long term relationship. This is not real life people. There really are some dykes out here that DO have successful, fulfilling relationships for more than five minutes.



Now we come to why I am ranting about this subject. Last night, I settled down for my weekly does of "ER." Now, I'm happy that Dr. Kerry Weaver (Laura Innes) was written into a lesbian - and she partnered up and was even gifted with a child. However, that's not why I watch the show, I just enjoy it for itself. Kerry's relationship with her lover Sandy Lopez (Lisa Vidal) has always been just a bonus. Kind of like "it's so nice they have a realistic-type lesbian relationship on this show - now when is the next helicopter going to squish someone?" That, in my mind, is how a lesbian relationship should be portrayed on television - as something that is just part of the story. Not a big deal, so to speak. Sure, we had Kerry's coming out drama, and the whole employment discrimination thing - but there was no death, no insanity and no evil "lesbian villain." So it was all good. Until, of course, last night.



They killed Sandy. They just up and killed Kerry's partner, how frigging more cliché could we get people? We finally get a decently normal, relatively happy and stable lesbian couple on television - and they murdered one of them off. Have we learned nothing?



Of course, I know with the whole "gay marriage" thing right now they were looking for a suitable plot twist to feature the issue. Thus, they kill off Sandy and now Kerry will have to go through the whole "your son isn't really yours because you aren't the biological mother" thing. There will be custody fights with Sandy's family, probably court battles and a whole "moral lesson" about how gay couples are being treated like shit because they don't have equal marriage & legal rights. Okay, fine. As a dyke, however, having a lesbian couple in a successful long term relationship on television is FAR more important at this point. If they wanted to feature the whole gay marriage rights thing - they could have chosen another route. They could have written in the issue in a way that didn't echo every damn negative portrayal of lesbian relationship on film through history. Or else they don't have very intelligent writers & producers. Right now, I am beginning to think that is the case. How else could you explain the stupidity of this plot move?



Lesbian relationships are not being taken seriously in entertainment. They are "throwaway" relationships, doomed to be demolished any time it might make a plot more 'interesting.' Even lesbians behind the camera seem to view them this way, as we've seen on "The L Word." I, for one, am tired of not having any characters on mainstream TV or film that reflect that the beauty of having a successful, long-term, happy relationship between two women. I hope The Gay & Lesbian Alliance Against Defamation (GLAAD) gets pissed, and revokes the numerous awards they’ve given to “ER” for portraying gay relationships in a "positive" way. Because, in my opinion, the makers of "ER" haven't got a clue what that actually means.




www.365gay.com/people/Tur...Turner.htm



GG "Sure, rumor has it that Amber Benson was having issues and would probably leave the show regardless" : well, that's a load. :miff Out





Gatito Grande
 


Re: The Dead Evil Lesbian Cliche lives!

Postby sam7777 » Fri Apr 16, 2004 11:36 am

GG: Great article. Both 365gay and LesbianNation have been rays of light in the dark pit that is the gay rags. I hadn't seen it before but it makes alot of great points especially with the link between the portrayal of long term lesbian relationships and gay marriage. What she said about Amber shows just how effective ME's disinformation campaign has been. L. A. Vess better not hold her breath waiting for GLAAD to do antyhing about the issues she raised. GLAAD seems quite happy with the status quo of gay portrayals IMHO.

_____________________

I still see dead lesbian cliches

sam7777
 


Re: The Dead Evil Lesbian Cliche lives!

Postby urnofosiris » Fri Apr 16, 2004 7:23 pm

That is a great article, it makes some very hard to get around points and is written with a nice sense of snarky humour. It is also nice to see that someone who isn't a member of this board saying the same things. See, we did not make it all up ourselves.

urnofosiris
 


Re: Re: The Dead Evil Lesbian Cliche lives!

Postby Repost Moderator » Thu Apr 29, 2004 12:11 am

Originally posted by enid



im doing a research project on the lesbian fandom of buffy and was wondering, if you wouldnt mind answering a few questions. i understand the reason for large lesbian fandom of buffy is to do with the willow and tara relationship. It had been the longest running lesbian relationship and was highlighted through out the series and not a side issue. However did you mind with how their sexual relationship was portrayed by using magic as a meterphor?or did this highten the intensity of their love for one another to say it went beyond the bounderies of love? In hindsight would you still have been a fan of the show considering the dead/evil lesbian cliche that many believed was depicted with the death of tara and with willow going evil? Could this tragic end to their relationship be seen as a romero and juliet story and showed the strength and intensity of willow's love for tara? It was only by taking tara away from willow would these emotions be fully realised?tara was willows world hence her world is over when tara dies and so the world should end?One last question, did you enjoy any of the other lesbian undertones from the series like the lesbian undertones from faith to buffy?sorry for such a long post the first time on any discussion board. i would be v grateful for any feed back. Thanks:kgeek :pray :D

Repost Moderator
 


Re: Re: The Dead Evil Lesbian Cliche lives!

Postby Repost Moderator » Thu Apr 29, 2004 12:14 am

Originally posted by musicmad10



Hi,

Okay i'm not sure how to answer all the questions but i'll give my opinion.

I think using the magic was a good idea because this is how they met, and when they did the spells their connection seemed to get closer, therefore realising their attraction to eachother a lot quicker then they may have done.

I think Willow turning evil was definately a sign that she really loved tara and that she believed that if tara doesn't live that she shouldn't either, nor the whole world should live. And yes i would have still watched it even with this happeing. I think even before tara died Willow had realised the extent of her feelings and thats why she was so upset and angry, when she died.

I actually never noticed the thing between Buffy and Faith as they never really seemed to get on too well until season 7. although at first they got on, i don't think Buffy fancied her, as she freaked when Willow told her she was gay, and so if she had had feelings for another girl, she wouldn't have reacted so suprised!



okay sorry for such a long post, but i hope it helped in some way.

You email me if you want.

Luv Hannah

Repost Moderator
 


Re: The Dead Evil Lesbian Cliche lives!

Postby sam7777 » Wed May 05, 2004 4:03 pm

There's a followup to the excellent 365gay column, Deadly Dilemma of Lesbians in Entertainment (posted in this thread by GG). L. A. Vess answers some of the criticism over wehat she had to say about Willow/Tara and the lesbian cliche. This is an excerpt as parts are OT to the board. Click on the link for the full article:

When Readers Attack
Quote:
No, I don't agree that lesbian relationships in entertainment should be treated as "special." However, I do believe that at least a few TV execs out there should be considerate enough to allow a long-term lesbian relationship to continue on throughout a television series without one of them ending up dead. I in no way think Joss Whedon is a bad guy for killing off Tara, I just think he was being cliché'.

....

While they were together, Willow & Tara were a fabulous representation of some of the realities of being in a lesbian relationship - even when they were fighting like cats, and even when they were separated. I thought it was kind of a nasty twist to rip that positive representation off the airwaves in order to serve a plot twist. Some readers have noted that Whedon always intended to kill off Willow's lover - male or female, so it shouldn't matter she was gay. Yes, and no. No, it shouldn't matter that it was a gay relationship that ended so horribly. But it SHOULD matter that Whedon was solely responsible for creating such a positive, realistic lesbian relationship, something very rare on network television. In creating this, and seeing the incredible response from the gay community to seeing that relationship on the show - wouldn't it be fair to ask him to reconsider his plot twist in order to keep the relationship alive? In my very personal opinion, I think so.
It's good to see folks brave enough to stand up for the dead lesbian cliche despite attacks. I sent an email to 365Gay's editor to support L.A. Vess (editor@365Gay.com). What cannot be denied is that the cliched way that Whedon ended Willow/Tara hurt many people in the gay community. The cliched follow on and insensitive comments by Whedon and others just rubbed more salt into the wounds. I certainly will never watch anything by Mr Whedon again.

_____________________

I still see dead lesbian cliches

Edited by: sam7777  at: 5/5/04 3:20 pm
sam7777
 


lesbian fandom research project

Postby enid » Thu May 06, 2004 6:02 am

just want to say thanks to musicmad1o(aka hannah) and dr G help. have any other kittens got responses to my questions?would be v. grateful



cheers:D

enid
 


Re: The Dead Evil Lesbian Cliche lives!

Postby sam7777 » Thu May 06, 2004 12:01 pm

Enid: Here's my take. You should also read through this thread for more views on these issues.



However did you mind with how their sexual relationship was portrayed by using magic as a meterphor?or did this highten the intensity of their love for one another to say it went beyond the bounderies of love?

The main thing the magic metaphor did IMHO was enable some sexual intimacy to be gotten past the WB censors. That said I minded when they turned the magic metaphor from

magic = lesbian = outsider

to

magic = lesbian = addiction = bad



Instead of being a metaphor of love, it became a metaphor of corruption and fed into the straight girl corrupted by the lesbian cliche IMHO.



In hindsight would you still have been a fan of the show considering the dead/evil lesbian cliche that many believed was depicted with the death of tara and with willow going evil?

No. I've seen too much of the dead lesbian cliche and would have bailed early on if I had known it was coming. I have decided to avoid any gay or lesbian stories with bad endings for the next 5 years to see if we ever get a fair proportion of happy to tragic (say 60-40 instead of the 10-90 we have now).



Could this tragic end to their relationship be seen as a romero and juliet story and showed the strength and intensity of willow's love for tara?

No. Juliet did not move on after Romeo died or turn evil. The idea of Romeo and Juliet is the tragic death of both of them due to their family's strife. Tragic romance is the common portrayal of long term lesbian relationships in the media and is pretty boring to me by now. It's a sad legacy of their love that 2.5 years of being with Tara only taught Willow to show a contempt for everything that Tara stood for: being a responsible Wicca and not hurting people.



It was only by taking tara away from willow would these emotions be fully realised?tara was willows world hence her world is over when tara dies and so the world should end?

I can understand Willow's world ending perhaps but not her destroying everyone else's world. That's the fine line between being in pain and being evil IMHO. It's a sad legacy that Tara's death caused Willow to be evil rather than draw her out of her magic abuse so it would have meant something. The meaninglessness of it just made a badly told story worse. Many gays die meaninglessly in bashings and rarely get to die as heroes. Why?



One last question, did you enjoy any of the other lesbian undertones from the series like the lesbian undertones from faith to buffy?

No. I got tired of subtext without resolution a long time ago with Xena. Willow/Tara were something special and unique. It was not played for sensationalism nor titillation. It was portrayed like a real relatioship until the bloody end told us that lesbians can't have a happy ending if they are truly in love as we have always been told. Two women having sex is common in the media. Two women in a real loving relationship is not.



The end of Willow/Tara hurt many in lesbian fandom and I've certainly given up hope of having decent lesbian representaion in the media beyond tragic romance and male titillation. This exerpt from L.A. Vess' latest 365gay column, When Readers Attack, says it better than I can:
Quote:
Entertainment should be representational, as far as possible, of real life. In real life, gays and lesbians face the same tragedies as straight people. Loved ones die, horrible things happen - it's a part of life. However, it is also a part of life that both straight and gay people can have life-long, happy, positive relationships that don't end up with someone dead, nuts or both. Television DOES have plenty of representations of long-term, relatively realistic, positive straight relationships - even if they aren't always perfect. Shows like "Seventh Heaven," "Mad About You," "Home Improvement," "The Cosby Show," "Friends" "The O.C." "Sex and the City," just to name a few, all have (or had) positive straight relationships, both long and short term.



In the end, I'm not saying that there haven't been a few quality lesbian relationships on television. And I've never gotten worked up over the demise of one that didn't end up in death or insanity. Even a few dead or crazy lesbian characters are par for the course in TV. My point is not that all of these shows are BAD for killing off their lesbian characters or driving them nuts. I'm not demanding special treatment, I am asking for representation. My point is that a few shows out there somewhere should represent those of us out here who ARE in stable, loving long-term relationships. And for those who claim there isn't enough "drama" in that kind of relationship to be entertaining, I beg to differ. God knows my relationship can be so 'entertaining' I don't even need to turn on the TV!
Apparently stable, loving long-term relationships are only for straights just like marriage. I won't accept second class status in reality or in media portrayal.



I wrote in to support L.A. Vess (editor@365Gay.com) because voices like hers are so rarely heard in a din of criticism that gays want "special treatment" and "rights" and should accept the status quo and not make "waves". Not so, we want the same rights that everyone else is guaranteed for life, liberty and the pursuit of happiness and won't get it without making some waves.

_____________________

I still see dead lesbian cliches

Edited by: sam7777  at: 5/6/04 1:54 pm
sam7777
 

PreviousNext

Return to Board index

Return to The Kitten

Who is online

Users browsing this forum: No registered users and 9 guests


Powered by phpBB The phpBB Group © 2000, 2002, 2005, 2007
Style based on a Cosa Nostra Design