some one needs to remind drew that
tara was presented by ME as a lesbian in a lesbian relationship - and that said relationship was handled as "different" from all other relationships on buffy
as was the PR for the characters/the relationship
Every fan can point to the first on screen kiss, of every significant other a scoobie has had - with one exception.
Unlike every other scoobies first kiss with a significant other ME did NOT put Willows first kiss with Tara on screen - we still don't know when it was - why - because Willow's significant other of choice was "a young woman who was vibrant, alive, self-sufficient, funny, sexy, compassionate, strong and learning to stand on her own two feet" - lesbian
First sex - Every fan knows/saw on screen, the first sex every scoobie had with a significant other - with one exception.
Unlike every other scoobie's first sex with a significant other ME did NOT put willows first sex with Tara on screen - we still don't know when it was - why - because Willows significant other of choice was "a young woman who was vibrant, alive, self-sufficient, funny, sexy, compassionate, strong and learning to stand on her own two feet" - lesbian
Whose dating who
Buffy and Willow always talked and shared their dating experiences until - in season 4 - unlike all other relationships willow had had and shared info on with Buffy, Willow hid her relationship with tara from buffy and the other scoobies - no more living through each others "vicarious smoochie" talks - why - because willows significant other was "a young woman who was vibrant, alive, self-sufficient, funny, sexy, compassionate, strong and learning to stand on her own two feet" - lesbian
On going Screen relationships
Every on going relationship a scoobie has had with a significant other has included in your face kissing and sex - on screen and often - every scoobie relationship that is with one exception - willows relationship with tara - which was cloaked in metaphor and took place off screen most of time because her significant other was "a young woman who was vibrant, alive, self-sufficient, funny, sexy, compassionate, strong and learning to stand on her own two feet" - lesbian
The ONLY on screen first W/T ME chose to show was their FIGHT!
ME gladly accepted the PR the show got from the first long term lesbian relationship in prime time broadcast tv
The actress's were on the cover of lesbian mags - why exactly - because they were playing "young women who were vibrant, alive, self-sufficient, funny, sexy, compassionate, strong and learning to stand on their own two feet" - Lesbians
The characters & their relationship PR were handled with the knowledge that they were "young women who were vibrant, alive, self-sufficient, funny, sexy, compassionate, strong and learning to stand on their own two feet" - lesbians
and
the audience saw them as "young women who were vibrant, alive, self-sufficient, funny, sexy, compassionate, strong and learning to stand on their own two feet" - lesbians
You can not put a minority on screen,
make their minority status an element of the storyline choices and publicity and then
turn around and say no no the lesbian relationship we drew out on screen for two and half years is to be ignored when we culminate the relationship by killing/turning evil the two women in it right after their first on screen sex!
DG has given nothing less than a specious argument to obfuscate what REALLY was presented on screen.
ME presented "young women who were vibrant, alive, self-sufficient, funny, sexy, compassionate, strong and learning to stand on their own two feet" - lesbians
and
Used them to play out on screen the same old tired "cliched ending" to a lesbian relationship - one dead right after sex and the other insane evil no more than 60 seconds later
DG's attempt to vilify those who saw exactly what was presented for what it was -
"young women who were vibrant, alive, self-sufficient, funny, sexy, compassionate, strong and learning to stand on their own two feet" lesbians - being made fodder for a producers cliched vision -
is a pathetic attempt to apply the "blame the victim" strategy to exonerate his/ME's culpability -
in once again sending the message
that lesbians
even "young, vibrant, alive, self-sufficient, funny, sexy, compassionate, strong and learning to stand on their own two feet" lesbians -
have NO CHANCE AT HAPPYNESS BECAUSE NO MATTER WHAT - THEY END UP DEAD/CRAZY EVIL IN THE END.
I for one wanted to believe that ME's use of the cliche was a simple a thoughtless mis-step as opposed to a calculated act, but - DG's comment "We wanted you to love her so that when we took her away, the audience would feel her absence as something painful" - leaves no doubt that this storyline was a conscious and willful act to hurt all those who cared for the "young, vibrant, alive, self-sufficient, funny, sexy, compassionate, strong and learning to stand on their own two feet" lesbians
In essence Tara was from the get go mere fodder for a well laid plan to hurt any and all viewers who would come to care for her and willow's relationship. ME set out to make a lesbian relationship so as to hurt those drawn to its portrayal on screen.
Besides the Big screen - celluloid closet book & movie there are now at least two books cataloging gays/lesbians and use of the cliche on the little screen - The Prime Time Closet:
A History of Lesbians and Gays on TV By Stephen Tropiano and Alternate Channels by Steven Capsuto.
I dare say ME has no doubt added a chapter to each for their next edition
(edited with thanks to Ben)
Edited by: helpful information perhaps at: 10/17/02 4:58:15 pm