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[b:5333f4c867] Q:[/b:5333f4c867] One of the things that you do from time to time in [i:5333f4c867] Buffy[/i:5333f4c867] and in [i:5333f4c867] Angel[/i:5333f4c867] is to establish a very important character, and then ruthlessly and unexpectedly kill them off. And you have said that you like surprises, but with Jenny, for example, in [i:5333f4c867] Buffy[/i:5333f4c867], and with Doyle who was a costar in [i:5333f4c867] Angel[/i:5333f4c867], you just set up these people and then take them from us. [i:5333f4c867] St. Elsewhere[/i:5333f4c867] did that, [i:5333f4c867] Twin Peaks[/i:5333f4c867] did that, not a lot of TV shows do that. Why do you do that, and what reaction do you get from fans when you do do it?
[b:5333f4c867] Joss: [/b:5333f4c867] Well, I do it because I want to keep people afraid. I want to keep people in suspense. I want people to understand that everything is not perfectly safe. The problem with doing a horror show on television is that you know your main characters are coming back week to week, and you don't really care about somebody who just showed up for one episode. So every now and then you have to make the statement, "No, nothing is safe," and that's a very effective way of doing that.
If somebody objects, if somebody says, "How could you have killed that character? You have to bring that character back! You have to bring that character back!" I know I've done the right thing. If they go, "Oh, they're dead," then I killed the wrong person, because nobody cares.
One of the things that people always shy away from is killing a sympathetic character. When I worked on Speed, there was a character who died, a lawyer that Alan Ruck played, and I took out the lawyer. He was a bad man. He was terrible. You know, he was causing trouble and he ended up dying, and I turned him into a likeable, sort of a doofy toursit guy, and they're like, "Well now we can't kill him!" And my opinion was, "Well now you should, because now people will actually care when he dies." But nobody wants to kill a good guy. It makes them twitchy, particularly on a series.
And we were very careful about it, because if there's somebody we know we're going to want for future episodes... but then again, Jenny Calendar worked more episodes, probably, after she died than she did before, because on our show everybody's a ghost, everybody's a whatnot. But it does inflame emotions sometimes, but that is in fact what I'm trying to do.
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Joss's claim about Jenny Calendar is not correct, by the way. She only appeared twice after being killed off.
What this tells me is that Joss thought of killing Tara as [b:5333f4c867] business as usual[/b:5333f4c867]. Theoretically, in his mind the fact that we're all so upset is a [b:5333f4c867] good[/b:5333f4c867] thing.
On the other hand, I think he might be discovering that it's possible to have too much of a good thing.
Comments, anyone?

