Julie
Buffy: Maybe it's time to start a new tradition. Birthdays without boyfriends. It could be just as much fun.
Willow: Preaching to the choir here, baby.
Buffy: Maybe it's time to start a new tradition. Birthdays without boyfriends. It could be just as much fun.
Willow: Preaching to the choir here, baby.
You'll have to scroll a ways back to find it, though)
---about an hour after seeing this movie for the first time (Sacramento's famous "Tower Theater" movie-palace, June 1986)
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{will scroll through: good thing I don't have a life, eh?}
, because the post was actually on the "TV/Movie" thread, and took me forever to find!
(but not in a good way). For several years I had been having these, um, "inklings", that perhaps I was not of the straights. See, there had been this one girl, and uh, then another . . . (no, no, simply of the fantasy-type: GG was, and more's the pity is, of the highly-repressed).
Nearly seventeen years later, I still can't say. All I knows is, I got Hot. Bothered. A lingering Patricia Charbonneau fixation.
Most importantly, I came home, lay down on the leather (why do I remember this?
)
) After that first viewing, I didn't see it again for about 5-6 years, when it was shown at my seminary (Union in New York City, people!) and I saw it, after much talking it up, w/ my future ex-husband (don't ask!). W/ the bloom off the rose, I saw the flick mainly for its faults:remembered, like its extreme episodic-ness (Scene, Fade-to-black; Scene, Fade-to-black . . .), also, the striking silence of the love-scene, in a flick so dependent on period-music. And not remembered: God, Helen Shaver smoked like a chimney throughout (Big Turn-Off to GG). Lots of clunky dialogue. And Audra Lindley didn't just chew scenery, I think she blew bubbles w/ it!
After another ten years, being able to watch it alone and appreciate as the Romantic Sap I am, it's still a wonderful movie. The above-mentioned period-music (aka "oldies" even to me!) is wonderful: Break my heart, Patsy! And I'd forgotten how nice the cinematography is (wonderful desert/mountain/city lights and shadows, in Reno and the Sierras, scenery I'm very familiar with). Shaver and Charbonneau give excellent performances individually, and together, they hit just the right note of attraction and 1950's repression (esp. on behalf of Shaver's character, Professor Vivian).
), in my humble opinion it's f*ckin' fantastic, in 1986 or any other year. The chemistry, eroticism, and oh, let's just say it, will we? arousal are palpable: if neither Shaver or Charbonneau had ever "been with" a woman before (I really have no idea, but I think they were both supposedly straight) they did an amazing job of faking it!
(I know she directed the cliche-orific Women of Brewster Place---anything else?). This women set the standard for "dyke drama" by which all subsequent lesbian-themed movies will be judged. Most important to me, personally, was that she told a story by which I could (want to) see my own life, and face it w/ determination and, well, excitement!
Bravissima and Gracias, Amiga!
Out
) and Vivian on/rising from the floor!
(Turn-about is fairplay, what w/ Cay's "gift" in the bed, several . . . hours earlier!
) You gotta give it (as it were
I can still remember how my pulse was POUNDING in my ears back in that darkened theater in '86! (You never forget your First Time
) Out
): church bells. Whenever I hear/think of distant chuch bells, I think of Cay's two certain body parts, lining up---points on points!---w/ Viv's two certain body parts.
Boob-boob-de-deux! - - - - - - - - - - -
"Trust is a risk masquerading as a promise."
_____________________
I still see dead lesbian cliches
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"Trust is a risk masquerading as a promise."
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